Hannah throwing at the wheel

Ceramics · Lewisburg, PA

Hannah's Hånd­værk

Wheel-thrown, hand-built, and always slightly unpredictable. Pottery that lives between the quiet and the strange.

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Hannah's Håndværk  ·  Wheel-thrown ceramics  ·  Lewisburg, PA  ·  Est. 2021  ·  CS & Environmental Studies  ·  Teaching pottery at Bucknell  ·  Clay skates & flower bowls  ·  Finding intersections  ·  Hannah's Håndværk  ·  Wheel-thrown ceramics  ·  Lewisburg, PA  ·  Est. 2021  ·  CS & Environmental Studies  ·  Teaching pottery at Bucknell  ·  Clay skates & flower bowls  ·  Finding intersections  · 
Hannah focused at the wheel
4 yrs making

About

CS grad.
Ecology thinker.
Clay obsessive.

I'm Hannah Tran, a recent Computer Science and Environmental Studies grad from Bucknell, and the maker behind Hannah's Håndværk. I've been practising pottery for four years and teaching it at Bucknell for three.

My work doesn't have one mood. Sometimes it's meditative and spare. Sometimes it's botanical and maximal. Sometimes it's a clay ice skate, because why not. That intersection between unlikely things: hockey and ceramics, code and clay, ecology and form, is exactly where I like to live.

The name Håndværk is Danish for "handicraft." It felt right: old-world material, new-world thinking.

Wheel-throwing Hand-building Underglaze Bucknell University CS & Enviro Studies Hockey

Selected work

The pots.

drag to explore →
Orchid teapot
Orchid Teapot
Hand-painted underglaze · wire handle
Pour-over coffee set
Pour-Over & Pot
Stoneware · ocean drift glaze
Forest tumbler
Forest Tumbler
Celadon & ash glaze
Unicorn horn bowls
Horn Bowls
Stoneware · metallic glaze horn
Petal series bowls
Petal Series
Earthenware · lavender wash
Tiny ceramic fruits
Tiny Fruits
Miniature · underglaze
Berry bowl
Berry Bowl
Wheel-thrown · sprig fruit
← drag to explore all work →
Clay ice skate sculpture in progress

On intersectionality

Clay meets
ice.

I love hockey. I love pottery. For most people these live in totally separate drawers. For me, they've always been the same problem: pressure, timing, feel, and the moment you stop thinking and just move.

The clay skate started as a joke and became one of the most technically demanding things I've ever made. Getting the laces to hold shape, the blade to stay attached, it took way longer than expected. I'd do it again tomorrow.

That's what intersectionality means to me in practice: dragging two things into the same room and seeing what happens when they touch.

How it gets made

The process.

Studio overview
Carved plates

Centering

The clay doesn't lie-if your hands aren't steady, it tells you. Getting centered is half the work and never fully gets easy.

Forming

Opening, pulling, shaping. Each piece gets made twice: once in the head, once with the hands. The wheel is both tool and collaborator.

Detailing

Carving, sprigging, coiling. Lace details, floral reliefs, horn additions. After the wheel comes the quieter, more personal work.

Firing & glazing

The kiln is the collaborator I trust the least and love the most. Glaze chemistry is just chemistry until it isn't — then it's magic, or a disaster, or both.